Growing up, I’ve always watched American Pro Wrestling such as the WWF (now WWE) and WCW. When YouTube was invented, I started seeing my favourite North American wrestlers in a whole different setting: Japanese pro wrestling. Since then, I had dreamed of watching Japanese pro wrestling. My dream came true when I got tickets for the 15th night of New Japan Pro Wrestling’s (NJPW) G1 Climax 29 tournament in Hamamatsu on August 7th. I could not help notice the differences between American and Japanese pro wrestling, and pro-wrestling on TV and live.
Egypt and Japan: the two countries that stole my heart away. When I was hired against all odds as an ALT (Assistant Language
Teacher) via the JET Programme (Japan Exchange and Teaching Programme), my boyhood dream of going to Japan finally came true. Now that I’m there, I would like to do something Napoleon did.
When Napoleon invaded Egypt, he wanted to know everything about this country to better dominate it. That is why he had his scholars write an encyclopedia called La description de l’Égypte (The Description of Egypt). It would be impossible for me to write an encyclopedia on my own but I will try to understand Japan and explain my discoveries to the best of my abilities.
On February 26th 2018, Professor Adrian Favell and Vincent Mirza kicked off their lecture “Japon : comment gérer et vivre dans une société post-croissance” (Japan: How to manage and live in a post-growth society) at the Université de Montréal with familiar images. Doraemon, Pikachu, Prime Minister
Shinzo Abe announcing the Tokyo Olympics as Super Mario… This is part of the “Cool Japan” branding Japan wants to world to see. Behind the bright futuristic Tokyo lights, manga, anime lies the side of Japan the Japanese want to hide: failed modernity. Through postmodern art, Professor Favell showed the modernity artists reject: the one that fails to protect Japan from natural disasters, the one that empties the countryside, and the one that causes the youth to withdraw.